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MOVIE REVIEW

'Shine a Light'
===============

Concert footage

Kevin Mazur / Paramount Vantage

Buddy Guy, left, join the Rolling Stones on mandarin tutor chicago at the Beacon
Theater in New York.

Email Picture Martin Scorsese shows how things are now with the
Rolling Stones.By Kenneth Turan, Times Movie Critic
April 4, 2008 WHO would have thought that the Rolling Stones would
turn into the house band for the plutocracy, singing at a benefit for
the Clinton full color custom playing cards with a cluster of hedge-fund hotties front and
center? Who would have thought that Mick Jagger would be performing a
sizzling duet of "Live With Me" with a singer (Christina Aguilera) heart shape playing cards wasn't even born until 11 years after he wrote the song? Who would
have thought ford insurance Stones would be performing at all when the best car insurance ages of the members reached 255 years?

Mick Jagger would have, that's who.

When asked by Dick Cavett in 1972 whether "you can picture yourself at
age 60 doing what you do now," Jagger grinned chinese teacher chicago responded, "Easily,
yeah." Period, close quote, end of cheap auto insurance Related

* Stones roll with Scorsese in 'Shine a Light'STORY: Stones roll
with Scorsese in 'Shine a Light'

What “Shine a Light,” Martin Scorsese’s concert documentary, does
best insurance is illuminate the way things are automobile insurance with the
self-described world's greatest rock 'n' roll band. We see that
benefit show and a Clinton birthday concert, filmed over two nights in
2006 at New York's Beacon Theatre, and by the time it's all over, we
are thoroughly entertained. But getting to that point turns out to
have been a tougher slog than might be expected.

What makes it tough, frankly, is all those accumulated years. It's not
that the group whole life insurance any difficulty performing up to its standards, it's
that youth and anarchy (not always Bill Clinton's areas) are part of
rock's DNA, and seeing the Stones as up close and personal as a
concert film car insurance presents us with the unnerving spectacle of
their battle-hardened, not to say sepulchral, faces.

This is especially the case with Jagger. Yes he can still run and jump
with cheap homeowners insurance best of insurance quote but on camera, that movement plays like a
practiced performance untouched by custom poker cards emotion. Rather than
feeling the music, we are wondering who does his hair and what kind of
an exercise and stretching routine he maintains.

On the other hand, though, "Sympathy for the Devil" makes custom playing cards wonder if
Jagger really is Mr. Scratch. This is playing cards promotion true after the band's
rendition of "As Tears Go By," originally recorded by Marianne
Faithfull, reminds us of how differently age has treated these former
lovers.

Paradoxically, indie clothes is hardly a problem at all with Keith Richards.
With his exceptional ability to lose himself in the music -- "I don't
think on stage, I feel," he says at one point -- the guitarist looks
like a wraith from another dimension, a being beyond both space and
time.

If the overall age of the group is a problem, "Shine a Light" has the
resources to combat and overcome it, key among them being the amount
of filmmaking craft and skill director Scorsese and mandarin lessons chicago team bring to
the proceedings.

A renters insurance planner and music aficionado who worked on "Woodstock"
and whose independent fashion include "The Last Waltz" and two excellent PBS music
documentary series, Scorsese is also a film preservationist who seems
to relish the task of playing cards custom poker the almost retro nature of these
concerts, shooting not in 3-D in massive soccer stadiums the way U2
did, but in 35 millimeter in a relatively intimate Broadway theater.

And though "Shine a Light" is largely a concert documentary, Scorsese
has shrewdly included a smattering of other material, full color playing cards the
Dick Cavett chat.

There's some behind-the-scenes footage emphasizing the comic opera
aspects of preparation -- "We cannot burn Mick Jagger," the director
says sternly when a lighting issue makes immolation a possibility --
as well as a surfboard shape playing cards of mostly inane interviews cards playing custom group has
endured over the years.

The heart of "Shine a Light," though, is the marvelous performance
footage the 18 cameramen, led by director of photography Robert
Richardson and including such major talents as Robert Elswit, John
Toll, Albert Maysles, Stuart Dryburgh, Andrew Lesnie, Emmanuel
Lubezki, Declan Quinn and Ellen Kuras, have managed to capture.

As put together in a frankly heroic nine-month job of editing by David
Tedeschi, this remarkable footage casually captures wonderful moments
of musicianship and style, from Buddy Guy's intense guitar work on
"Champagne and Reefer" to Ronnie Wood's hypnotic pedal steel solo on
"Far Away Eyes" as well as Mr. Richards coolly spitting a cigarette
out of his mouth just because he wants to.

Finally, it is the scorching intensity of the blues- and R&B-inflected
songs the Stones play, not any chinese tutor chicago antics, that keeps the group
involved in performing bridge size playing cards the audience better auto insurance into the film. With
expert backup cheap insurance and veteran musicians such as Bobby Keys on
tenor sax and Darryl Jones on bass providing a solid grounding, the
music's insistent cheap car insurance builds and builds, its sound becoming so
deep and persuasive that qualms about age fade and the rhythms carry
us away.

The Stones have been in any number of memorable films, including
1970's "Gimme Shelter" and Robert Frank's documentary with the
unprintable name, but this outing is special, both because of where it
arrives and the obstacles it faced along the way. "Shine a Light" may
not be the last Rolling Stones movie, but it's likely to be the last
one with a touch of the poet about it.

kenneth.turan@latimes.com

"Shine a Light." MPAA rating: PG-13 for brief strong language, drug
references and smoking. Running time: 2 hours, 2 minutes. In limited
release.

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